Use a radial mask with an intersecting luminosity mask to create perfect sunlight accents for your landscapes. It is easier than you think!
Read MoreStop messing around with individual sliders. The Amount slider in Lightroom is a big time-saver to dial in and refine a look.
Read MoreLightroom’s Select Sky makes adjusting skies easy. The selection usually includes non-sky areas, the boundary between the sky and the rest of your photo. That can be a problem. And there is an easy solution.
Read MoreMany of the photos I captured in Bryce Canyon needed color tweaks and corrections. I put Lightroom’s new Color Mixer through its paces to fix color issues.
Read MoreThere is a simple trick to getting more depth from your landscape photos - view the image in black and white, and then start your basic edits.
Read MoreDodging and burning is a classic, tried and true editing technique. And you can do it FAST in Lightroom.
Read MorePhotography is ultimately about the photos. The software used to make them are our tools. I am often what photo software I use. To answer that… I need to give you a brief history of my photo software journey.
Read MoreJoin me for the final segment of The Do-Over Project. What could older photos be if re-processed today? The tools are newer, and I’m a more seasoned photographer. Watch and see.
Read MoreWhat could older photos be if re-processed today? The tools are newer, and I’m a more seasoned photographer. That’s what The Do-Over Project is all about.
Read MoreSisters Rock, Oregon is the subject for this segment of The Do-Over Project. What could older photos be if re-processed today? Both with newer tools and as a more seasoned photographer and visual storyteller? That’s what The Do-Over Project is all about.
Read MoreWhat would my older photos look like if re-processed with fresh eyes? With newer tools? As a more seasoned photographer and visual storyteller? That’s what The Do-Over Project is all about.
Read MoreI’m a visual person (most photographers are!) and when I use the Color Grading tool in Lightroom, I crank the Saturation to 100 to start. It’s not as crazy as it sounds.
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